广西师范大学设计学院服装与服饰设计专业教师，美国加州州立大学访问学者，苏州大学博士毕业，江苏江南丝绸文化博物馆服饰文化创意总监。多年从事服装艺术设计专业教学，主讲课程《服装立体裁剪》、《服装美学》、《中外服装史》等，从事服饰心理与服饰艺术表达研究，立足地域服饰文化资源，聚焦传统民族服饰艺术的活化与创造性转化，促进区域服饰文化的传承与发展。主持完成江南丝绸文化博物馆“民国月份牌棋牌活化与创新设计主题创意展”创作项目；主持广西区哲学社会科学研究项目“壮侗民族服饰艺术审美内涵及美育传承研究”科研项目，参与多项省部级科研项目，出版相关学术专著，在国家级以上期刊发表论文及专业作品十余篇。

A professional teacher of Fashion Design Department of Guangxi Normal University School of Design, a visiting scholar at California State University, a Ph.D. from Soochow University, and creative director of costume culture at Jiangnan Silk Culture Museum. Engaged in the teaching of clothing art design for many years, lectured on the courses "Three-dimensional Clothing", "Costume Aesthetics", "Chinese and Foreign Clothing History", etc. Engaged in clothing psychology and clothing art expression research,  focusing on the activation of traditional ethnic clothing art And creative transformation to promote the inheritance and development of regional clothing culture based on regional clothing cultural resources. Presided the creation project "Republic of China Month Card Revitalization and Innovative Design Theme Creative Exhibition"  in Jiangnan Silk Culture Museum; presided  Guangxi District Philosophy and Social Science Research Project "Zhuang Dong National Costume Art Aesthetic Connotation and Aesthetic Education Inheritance Research" , participated in a number of provinces and ministries Level scientific research projects, published related academic monographs, published more than ten papers and professional works in journals above the national level.

作品名称：“侗”听   "Dong" listening

作品材料：纺织品 textile

系列服饰设计以广西地区侗族文化为灵感，把侗族传统服饰的平面结构与侗族建筑“鼓楼”的立体造型相结合，以现代服饰语言表现少数民族刺绣装饰与色彩审美特点，服装材料的运用注重虚实结合丰富视觉层次，使系列设计既符合当下时尚语境，又呈现出民族文化审美意趣。系列设计旨在以现代服饰语言重新理解和表达传统侗族的文化艺术，当代服饰艺术的再设计是民族文化传承的续曲，用全新的表达方式向外界展示传统民族文化的璀璨生命力。

The series of clothing design is inspired by the Dong culture in Guangxi, combining the plane structure of the Dong traditional clothing with Dong building "Drum Tower", expressing the ethnic embroidery decoration and color aesthetic characteristics in modern clothing language, and focuses on the virtual and the reality by using different clothing materials. This  series design not only conforms to the current fashion context, but also presents the aesthetic interest of national culture. The series design aims to re-understand and express the traditional Dong culture and art in modern clothing language. The redesign of contemporary clothing art is a continuation of the heritage of national culture, showing the bright vitality of traditional national culture to the outside world in a brand-new way of expression.