高盈，蒙特利尔时尚设计师，加拿大魁北克大学教授，HEAD-Genève时尚、珠宝和配饰设计项目前负责人。高盈通过她众多的创意设计项目获得众多个人荣誉，在法国、瑞士、加拿大举办过6次个展，在世界各地参加过100多次群展。创意作品受到了包括《时代周刊》、《Vogue》杂志、《纽约时报》、《Dazed and Confused》杂志、《设计时代》、《ARTE》等国际媒体的报道关注。

Ying Gao is a Montreal based fashion designer and professor at University of Quebec in Montreal, former head of Fashion, jewellery and accessories design Programme at HEAD-Genève, Ying Gao has achieved personal distinction through her numerous creative projects: six solo exhibitions in France, in Switzerland, in Canada, and more than one hundred group exhibitions around the world. Her varied creative work has enjoyed international media coverage: Time, Vogue, The New York Times, Dazed and Confused, Interni, ARTE. 

作品名称：《流动的水，静止的时间》 Flowing water, Standing time

作品材质：机械服，硅胶，玻璃，透明硬纱，电子设备 robotic clothing silicone, glass, organza, electronic devices

这个项目的灵感来自神经学家奥利弗·萨克斯的小说《误以为妻子是帽子的男人》，他在小说中讲述了吉米·G的故事，他是一个49岁的前水手，自从离开海军后确信自己已经19岁。当萨克斯递给吉米一面镜子时，吉米被镜子里的自己震惊了，当他的目光离开镜子的反射面时，他又回到了19岁的自己。失去了时间上的连续性，吉米像一个囚徒一样生活在这个单一的、永恒的时刻，在对世界的存在和对自己的存在之间摇摆。就像吉米·G一样，这些服装在两种状态之间进化，随着观众的出现，它们呈现出永久的变形。这种在相反状态之间的旅行——从静止状态到运动状态——这并不是一种二分法。在向惯性核心注入能量的时间场里，以其独特的方式波动着每件衣服的动感强度。这两种状态仅仅是无限可能序列中的落点。

This project was inspired by neurologist Oliver Sacks’ novel, The Man who Mistook his Wife for a Hat, in which he relates the story of Jimmie G, a 49-year-old former sailor convinced of being aged 19 since having left the Navy. Shocked by his own reflection when Sacks hands him a mirror, Jimmie reverts to his 19-year-old self as soon as his gaze leaves the reflective surface. Having lost any sense of temporal continuity, Jimmie lives as a prisoner to this single, perpetual moment, oscillating between a presence to the world and a presence to self. Much like Jimmie G, the garments evolve between two states and display perpetual metamorphosis as they react to the presence of the spectator. This travelling between opposite states – from immobility to movement – does not operate as a dichotomy. Upon the field of time, which injects energy into the very core of inertia, fluctuates the intensity animating each garment in its unique way. These two states are mere dropping-off points among an infinite array of possibilities.