广西艺术学院设计学院服装与服饰专业专任教师，中级工艺美术师

2002年——2006年  广西艺术学院 美术师范系美术教育专业

2011年——2015年 广西艺术学院学院设计学院 民族传统服饰与服装艺术专业

2016年9月《黑白同色》获第十八届全国设计“大师奖”服装设计类金奖 ；

2015年10月《几何原色》获“迪尚”第十届中国时装设计大赛成果奖评选入围奖；

2014年3月《以梦为马》获得第八届“浩沙杯”国际泳装设计大赛铜奖；

2016年《梦境》获穿越这一刻：中英文化交流年--全球“中国风”男装设计 大奖赛最具商业潜力大奖；

2006年《游乐空间》获“浩沙杯”第三届国际泳装设计大赛优秀奖；

Nong qiongdan

Full time teacher of clothing and apparel major and intermediate craft artist of Design College of Guangxi Academy of Arts

2002-2006 art education major of art normal Department of Guangxi Academy of Arts

2011-2015 major in ethnic traditional clothing and fashion art, School of design, Guangxi Academy of Arts

In September 2016, black and white in the same color won the gold award of fashion design of the 18th National Design "Master Award";

In October 2015, geometric primary color won the Finalist Award of the 10th China Fashion Design Competition of "Dishang";

In March 2014, taking dreams as horses won the bronze medal in the 8th "Haosha Cup" international swimsuit design competition;

In 2016, dream won the most commercial potential award of the global "Chinese style" men's wear design Grand Prix, the year of Sino British cultural exchange;

In 2006, amusement space won the excellence award of the third international swimsuit design competition of "Haosha Cup";

作品名称：《叠》《Stack》

作品材料：综合材料：真丝绡、香云纱、混纺面料、3D打印材料等  main materials : silk, gauze, fragrant cloud yarn, blended fabrics, 3D printing materials, etc.

运用天然真丝面料，进行植物染色和做旧手法进行面料再造，结合3D打印的材料，进行服装设计创作。各种材料经过构成设计，排列成网状层峦跌宕的造型，并呈现一种虚实朦胧的水墨层叠效果。整体色彩厚重浓郁，带有一种敬畏之意。象征了在后疫情时代，人们经过疫情这场“病毒战争”的黑暗之后，逐渐在斗争中看到希望的同时，在生命的虚实之中寻找着生存的真相。

人们开始思考人类与自然的关系，思考自然与科技的关系。从天然的材料到人造的耗材，从原始的植物手工染色到打破传统手工艺壁垒的3D打印技术出现，历史在不断更迭，科技在飞速发展。人们需要去思考，在翻越一座又一座技术的高峰之后，我们追求的东西是否产生过变化。我们应该敬畏科技，更应该敬畏自然，在这信息层叠的复杂的时代，和谐共处才是真正的生存之道。

The natural silk fabric is used for plant dyeing and old-fashioned fabric reconstruction, combined with 3D printing materials for garment design and creation. After composition design, various materials are arranged into a network of ups and downs, and present a hazy ink stacking effect. The overall color is thick and strong, with a sense of awe. It symbolizes that in the post epidemic era, after the darkness of the "virus war", people gradually see hope in the struggle and look for the truth of survival in the emptiness and reality of life.

People began to think about the relationship between human beings and nature, and the relationship between nature and science and technology. From natural materials to man-made consumables, from primitive plant manual dyeing to 3D printing technology that breaks the barriers of traditional handicrafts, history is constantly changing and science and technology is developing rapidly. People need to think about whether the things we pursue have changed after climbing one technological peak after another. We should fear science and technology, but also nature. In this complex era of information, harmonious coexistence is the real way of survival.