毕业于解放军艺术学院音乐系

总政歌舞团任演奏员、北京教育学院音乐系教师

作品《韵》参加2015年第七届国际时装艺术展

作品《佳人有约》参加2016年第八届国际时装艺术展

作品《和远古有个约会》参加2018年第九届国际时装艺术展

作品《心灵赋格》参加2018年“从洛桑到北京”第十届国际纤维艺术双年展

作品《千年对话》参加千年对话---2019时装艺术国际特邀展

作品《岁月留痕》参加新世界，新视界——2020时装艺术线上国际展

作品《驶向远方》参加“共生共存”— 第十一届“从洛桑到北京” 国际纤维艺术双年展

作品《侘》《寂》参加2021年“唯物思维”中国-乌拉圭当代材料艺术交流展（线上展览）

2021年，作品《中国“她”艺术》大型艺术刊物

Graduated from the People’s Liberation Army Academy of Art

As a performer in the General Political Department Song and Dance Troupe and a music teacher in Beijing Institute of Education

Work Rhythm took part in the 7th edition International Fashion Art Exhibition 2015

Work An Appointment of a Beauty took part in the 8th edition International Fashion Art Exhibition 2016

Work  Have an appointment with ancient times  took part in the 9th edition International Fashion Art Exhibition 2018

Work A Date with Distant Past took part in the 11th From Lausanne to Beijing  International fiberart Biennale Exhibition

Work  Millennium dialogue  took part in the Millennium dialogue edition International Fashion Art Exhibition 2019

The work "traces of years" participated in the new world, new vision - 2020 fashion art online international exhibition

The work "sailing far away" participated in the "symbiosis and coexistence" - the 11th International Fiber Art Biennale "from Lausanne to Beijing"

His works "Yu" and "Ji" participated in the "materialistic thinking" China Uruguay contemporary material art exchange exhibition (online exhibition) in 2021

In 2021, her work "Chinese" art "was published as a large art publication

作品名称：牧神午后

  Afternoon of a Faun

作品材质：丝织品、植物染料、金属、木头

   Silk fabrics, vegetable dyes, metals, wood

.....乐曲开始了，长笛吹奏出扑朔迷离、牧歌风格的下行曲调（这支曲调随后被几种木管乐器重复热情的演奏），竖琴空泛的琶音伴随着温暖的圆号旋律依次响起，弦乐群也进入了，烘托出热烈生长的气氛，使人感受到大海在午后的骄阳照射下，水波粼粼银光闪烁，水蒸气向空中升腾，幻化出梦幻般五颜六色的光芒，.......主题音调再次响起，更加灵动短小，上下跑动，仿佛听到微波中打着转的汩汩流水声，乐队的各种音响越发激越热烈，忽然，音乐减弱，余音中一把小提琴奏出优美动人的旋律，宛若仙境中少女娇羞低吟，木管也再次进入，萦绕回应着这美妙的旋律.....这是德彪西的管弦乐作品《牧神午后》，这首梦幻般的音诗，是他印象主义音乐的经典之作。

 交响音诗《牧神午后》取自法国诗人马拉美的同名诗作，诗中的牧神长着羊角羊腿，是罗马神话中掌管牧业的半人半兽的神，他生长在田野间，自由自在风流放荡，被追求的仙女为躲避他的追逐化身为芦苇，从此牧神以芦苇为笛，日日吹奏，表达情思与梦幻。

 德彪西的乐曲是此次创作的灵感来源，我以《牧神午后》为依托，表达梦与现实的虚实关系，结构上用了两个倒置错位的模特铁架焊接，这也是我创造和生活的态度：一切方式皆有可能成立，存在即有合理成分；材料的选择上，运用铁板铁条铁网和破旧的麻袋绳子、被烧焦的铜丝、锈迹斑斑的铁丝麻线，取镀锌铁板的硬度光亮与现代感和其它材料的古旧苍凉与破败，使现代与古老共生共存，软硬虚实共存并互相融合影响，同时也更着重音乐的诗意流动与空灵飘渺。

  此次展览给出的大主题“虚实之间”也促使我边创作边思考：到底什么是虚？什么是实？它们的关系是什么？以往我们认为虚无的东西很多都成为当下的现实，推理当前被认为虚无缥缈的事情是否在不久的将来会成为可能呢？反之今天我们不懈追求的真实实在，比如爱情与功名，就真实吗？为什么有时得到之后却感到虚无无力呢，是否人的认识与社会给予我们的准则都会随时间的改变而变化，或许我们的一生就是在追求与倦怠中挣扎，这就是人生与宿命.....

As the music began, the flute played a complicated and pastoral downward tune (this tune was then repeated and enthusiastically played by several woodwind instruments), the empty arpeggio of the harp sounded in turn with the warm horn melody, and the string music group also entered, setting off a warm and growing atmosphere, making people feel that the sea was sparkling and silver under the scorching sun in the afternoon, The steam rose into the air and turned into a dreamlike colorful light,... The theme tone sounded again, more flexible and short, running up and down, as if to hear the gurgling sound of running water in the microwave, and all kinds of sounds of the band became more and more intense. Suddenly, the music weakened, and a violin played a beautiful and moving melody in the aftersound, just like a girl singing in a fairyland, The woodwind also entered again, lingering and responding to this wonderful melody... This is Debussy's orchestral work "Afternoon of a Faun", a dreamy sound poem, which is a classic of his Impressionist music.

The symphonic poem "Afternoon of a Faun" is taken from the poem of the same name by the French poet Mallarm. The shepherd in the poem has sheep horns and legs. He is the God of half man and half beast in charge of animal husbandry in Roman mythology. He grows up in the fields and is free and dissolute. The pursued fairy turns into a reed to avoid his pursuit. Since then, the shepherd takes the reed as the flute and plays it every day to express his feelings and dreams.

Debussy's music is the source of inspiration for this creation. Relying on the "Afternoon of a Faun" , I express the virtual and real relationship between dream and reality. Structurally, I use two inverted and misplaced model iron frames for welding, which is also my attitude towards creation and life: all ways can be established, and there is a reasonable element in existence; In the selection of materials, iron plate, iron bar, iron mesh, worn sack rope, scorched copper wire, rusty iron wire and hemp wire are used to take the hardness, brightness and Modernity of galvanized iron plate and the ancient desolation and dilapidation of other materials, so as to make modern and ancient coexist, soft and hard virtual and real coexist and influence each other. At the same time, it also focuses on the poetic flow and ethereal ethereal of music.

The theme "Reality beyond Reality" given in this exhibition also prompted me to think while creating: what is virtual? What is real? What is their relationship? In the past, many of the things we thought to be nothingness have become the current reality. Will it be possible to infer the things that are currently considered to be illusory in the near future? On the contrary, are the truths we pursue today, such as love and fame, true? Why do we sometimes feel powerless after getting it? Will people's understanding and the norms given to us by society change with time? Perhaps our life is struggling in pursuit and burnout, which is life and destiny..