杨秋华，1999年毕业于上海戏剧学院舞台美术系，现任深圳职业技术学院艺术设计学院服装与服饰设计专业副教授、二级舞美设计师，中国流行色协会委员，中国舞台美术协会会员。从事服装设计、纤维艺术等的教学、创作和研究。时装画作品曾获得首届全国高校教师时装画大赛银奖，入选第三届中国时装画大展；设计作品曾获第二届全国戏剧文化奖、第十一届广东省艺术节舞台美术奖，首届大湾区高校美术作品大赛二等奖等大小奖项三十多项，并多次入围和参加国内外重要展览，如上海国际纤维艺术展、国际防染艺术联展、中国现代手工艺学院展等。

Yang Qiuhua, graduated from the stage art department of Shanghai Academy of drama in 1999, is now an associate professor of fashion and costume design in the Art Design College of Shenzhen Vocational and technical college, a second-class choreographer, a member of China Fashion Color Association and a member of China Stage Art Association. Engaged in teaching, creation and research of fashion design and fiber art. Fashion paintings won the silver prize in the first national college teachers' fashion painting competition and were selected into the third China Fashion painting exhibition; The design works have won more than 30 large and small awards, such as the second National Drama Culture Award, the stage art award of the eleventh Guangdong Art Festival, the second prize of the first Dawan District college art competition, and have been shortlisted and participated in important exhibitions at home and abroad for many times, such as Shanghai international fiber art exhibition, international anti dyeing art joint exhibition, China Institute of modern crafts exhibition, etc.

作品名称：凤徜百年  "A hundred years of Phoenix wandering"

作品材质：铁丝、油漆 Iron wire, paint

此作品选用了中国传统的旗袍和凤鸟为主要设计元素，采用了现代设计手法，对传统旗袍进行概念化处理，采用打破常规的金属材质，对展现女性柔美的旗袍进行了全新的演绎，金属材质的硬和旗袍本身的柔形成了强烈的对比，但又可以毫无违和感的融为一体。旗袍本身采用了大小不一的不规则镂空小块面进行表现，“凤”则采用了流畅的线形立体表现手法，线与面的交错使整体造型更加灵活生动，镂空的处理则可以产生自由的视觉变换，从而使整个作品产生多变的立体视觉效果。

This work selects Chinese traditional cheongsam and Phoenix as the main design elements, adopts modern design techniques, conceptualizes the traditional cheongsam, uses unconventional metal materials, and makes a new interpretation of the cheongsam showing women's softness. The hardness of metal materials forms a strong contrast with the softness of cheongsam itself, but it can be integrated without any sense of violation. Cheongsam itself adopts irregular hollowed out small pieces of different sizes for performance, "phoenix" adopts a smooth linear three-dimensional expression method. The interlacing of lines and surfaces makes the overall shape more flexible and vivid. The hollowed out treatment can produce free visual transformation, so as to produce changeable three-dimensional visual effects for the whole work.