《典雀荷音Dian Que He Yin

凌雅丽

格纹肌理空气层、竹节绡、绡



         作品设计理念是从中国传统文化中朱雀形象与佛语中的莲花、菡萏造型的意向结合。典雀,经典的雀鸟媲美凤凰的秀丽。荷的音律,意念中的清雅、玄美感。通过图形变形的设计引延,将变幻的雀鸟与菡萏造型融揉在一起,形成图形构建。

        作品的实现通过立体裁剪后的AI图形和施华洛世奇钻图形的全电脑后期构建结合手工立体叠布绣肌理,采用新型的格纹空气层与竹节纱材质来体现设计的时尚质感。整体的设计成品部件分为头饰、颈饰和大礼服三件。头饰的造型是几何结合荷叶的变化形特征形成层层叠叠的立体感,施华洛世奇钻的适形点缀,再结合莲花形的立体叠布绣塑边和莲子造型,形成丰富立体的层次感。颈饰的大轮廓就是一只帅气动感的雀鸟造型,结合规律性的施华洛钻图形。大礼服的上半身造型右边是大结构菡萏的超级变形,结合左边荷塘式的图形设计,下身瀑布感的流线造型与上身丰富的图形变化形成对比。设计的整体感觉雀中有荷,荷中藏雀,形成两种设计元素的形错觉揉合。

         “只可远观,不可亵玩焉。”的荷花和天空上灿若明珠的凤凰作为设计原点,层层剖析出凌氏典雀荷音。映射当前疫情下人与人的安全社交距离。


         The design concept is to combine the image of rosefinch in Chinese traditional culture with the intention of Lotus and Lotus-Bud modeling in Buddhist language. Classic finches, classic birds comparable to phoenix beauty. The music of the lotus, the elegant and beautiful in the mind. Through the extension of the graphics deformation design, to knead the changeable bird and Lotus-bud molding together to form the graphics construction.

         The realization of the work through three-dimensional clipped AI graphics and swarovski diamond graphics full computer late construction combined with manual three-dimensional cloth embroidery texture, the use of new lattice air layer and slub yarn material to reflect the design of fashion texture. The integral design finished product component is divided into headpiece, neck act the role ofing and big formal dress 3. The shape of the headwear is the combination of geometry with the changing shape characteristics of lotus leaves to form a layered three-dimensional sense. The swarovski diamond conformal ornament, combined with the lotus shaped three-dimensional stacked cloth embroidered molding edge and lotus seed modeling, forms a rich three-dimensional sense of layers. The outline of neck decoration is a handsome dynamic bird modeling, combined with regular Swarovski graphics. The upper half of the dress is in the right side of the big structure Lotus-type deformation, combined with the lotus Pond type graphic design on the left, and the streamlined shape of the lower body in a sense of waterfall contrasted with the rich graphic changes in the upper body. The overall feeling of the design is that there is lotus in the bird and there is bird in the bird, which forms the blending of the two design elements.

       "Only can be viewed from a distance, not obscene play yan." Lotus and the sky can be a bright pearl phoenix as the design of the origin, layer by layer analysis of ling dian Finch Lotus sound. Mapping the safe social distance between people under the current epidemic situation.


典雀荷音 Dian Que He Yin

  《典雀荷音Dian Que He Yin》凌雅丽格纹肌理空气层、竹节绡、绡         作品设计理念是从中国传统文化中朱雀形象与佛语中的莲花、菡萏造型的意向结合。典雀,经典的雀鸟媲美凤凰的秀丽。荷的音律,意念中的清雅、玄美感。通过图形变形的设计引延,将变幻的雀鸟与菡萏造型融揉在一起,形成图形构建。        作品的实现通过立体裁剪后的AI图形和施华洛世奇钻图形的全电脑后期构建结合手工立体叠布绣肌理,采用新型...

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