《壳 Shell》
姜绶祥 Kinor Jiang 邱 圣 Sheng Qiu
聚酯纤维 Polyester
“道生一,一生二,二生三,三生万物。” 作品从纤维材料的天性出发,把材料的特征转化为其根本特质,挖掘其性格和功能,这不仅是精神因素的外在体现,而且也是将材料本身作为具有呼吸与生命的个体看待。通过科技手段,赋予其金属的外壳,将阳刚的金属与阴柔的纤维融为一体,相互激荡碰撞,使面料不仅拥有熠熠生辉的装饰性,而且兼具抗菌、防辐射、防水、防风又透气的功能性。整体的服装造型简约,仅以几何线条切割形体轮廓,虚实相映,形成变化,通过“壳”这一属性表达“保护、变化、抵御”等主题。
"The Dao produced One; One produced Two; Two produced Three; Three produced All things." Starting from the nature of fiber, the work transforms the characteristics of the materials into their fundamental idiosyncrasy and taps their personality and functions, which is not only an external manifestation of spirit, but also treats the material itself as an individual with breath and life. The metallic shell was formed by scientific technology and the hard metal was coexisted with soft fiber. They collide with each other to make the fabric not only has a shining decoration, but also with anti-bacterial, anti-radiation, waterproof, windproof and breathable functions. The silhouette of the clothes is simple, using the geometric lines to divide the outline of the body while the comparison between virtuality and reality brings up the changes and expresses the theme of "protection, change and resistance" through the "shell".
壳 Shell
《壳 Shell》姜绶祥 Kinor Jiang 邱 圣 Sheng Qiu聚酯纤维 Polyester“道生一,一生二,二生三,三生万物。” 作品从纤维材料的天性出发,把材料的特征转化为其根本特质,挖掘其性格和功能,这不仅是精神因素的外在体现,而且也是将材料本身作为具有呼吸与生命的个体看待。通过科技手段,赋予其金属的外壳,将阳刚的金属与阴柔的纤维融为一体,相互激荡碰撞,使面料不仅拥有熠熠生辉的装饰性,而且兼具抗菌、防辐射、防水、防...
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